Nikon FG Bedienungsanleitung PDF herunterladen (Seite 17)

lONTROLS IN DETAIL —continued

srexposure Underexposure Picture blur

he lop warning LED blinks to warn of overexposure,

he bottom warning LED blinks to warn of under-

■xposure.

he LED lights up at 1/30 sec. or below to warn of

lictureblur.

these cases, to adjust exposure, rotate the lens

srture ring to a larger or smaller value as indicated

ow until the blinking LED disappears and an LED(s)

Us up steadily opposite 1/60 sec. or faster.

)verexposure—Rotate to a larger f/number. If after

lis the LED still blinks, use a neutral density filter

ir change lo a slower speed film.

Jnderexposure—Rotate to a smaller f/number. If

fter this the LED still blinks, use an electronic flash

■r switch from A to B (Bulb) setting lor long expo-

ures. If the LED at 1/30 sec. or below lights up

after adjustment, picture blur may result—use a

tripod, higher speed film or electronic flash.

• Picture blur—Rotate to a smaller f/number. If the

shutter speed does not increase above 1/30 sec.,

use a tripod to steady the camera, change to a

higher s.oeed film or use an electronic flash.

Note: If the audio warning system is not turned on. check the

LEDs in the viewfinder lor improper exposure conditions

before shooting.

^NTROLS IN DETAIL —continued -

epth of field

epth of field refers to the clear focus zones in front

and behind the main subject when you focus the

ns. With the FG’s aperture-priority automatic expo-

ire, you have full control over depth of field by vary-

g the f/stop. The following are important points to

member.

) By stopping down the aperture to smaller openings

(larger f/numbers), depth of field becomes deeper

and not only your main subject but foreground and

background will also be in clear focus. On the

contrary, by opening up the aperture to larger

openings (smaller f/numbers), depth of field be

comes shallower and both fore- and background

will be out of focus, thus enabling you to empha

size the main subject.

(2) The farther the subject from the camera, the

deeper the depth of field; the closer to the camera,

the shallower the depth of field.

(3) Usually, background clarity is sharper than that of

the foreground; thus, in shallow depth-of-field

situations, you can expect your foreground images

to be less clear than those behind the subject.

(4) The shorter the focal length of ihe lens, the deeper

the depth of field.

(5) With Nikkor or Nikon Series E lenses, depth of field

is indicated by pairs of colored lines on the lens

which correspond to the colors of the f/number.

Therefore, depth-of-field range can be obtained by

the corresponding distance scale.

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